Sassy Fontaine's

(Source: gnomesinthegarden, via ljenf)

nevver:

“We not trash, we are fuckin’ fancy.”

finneganpigdog:

Pug Dog Tricks

At first I was like “Five minutes long? That’s more attention than I have.”

Boy, was I wrong.

(Source: youtube.com)

What a great necklace!

(via ljenf)

suicideblonde:

Audrey Kawasaki

le projet d’amour: on feminism: being “nice” (via sociolab)

More people need to be more nice more often, it’s as simple as that.

(via cwnerd12)

RIP DON CORNELIUS

cameronr:

Soul Train Dancers: Jungle Boogie (1973)

RIP dancing

(Source: youtube.com)

thomforsyth:

Installation | Soo Sunny Park, Spencer Topel

In collaboration with sound artist Spencer Topel, sculptor Soo Sunny Park has created an interactive installation that audibly responds to movement.

(via cwnerd12)

dannybrito:

Good morning Monday

(Source: landlockedmermaid)

madpage613:

inappropriatelyadorable:

Odin, Thor and Loki from Thor (2011 movie), Katamari-style

ROYAL RAINBOOOOOOWWWWW

KATAMARIIIIIIIIIIIIIIIIIIIII!!!!!!!!!!!!!!!!!!!!!!!Thor style :):):):):)

(via beautiful-portals)

brosnakes:

loveandasandwich:

All of my Studio Ghibli hoops.
Soot Sprites, No-Face, Totoro, Catbus, Calcifer, and Kodamas!

Always looking for suggestions to make new ones, obviously I’m more partial to the Ghibli creatures than the people. :)

@doozywhoop !

suicideblonde:

Where there’s smoke, there’s fire by Russel Patterson

Russell Patterson was a celebrated and prolific American cartoonist, illustrator and scenic designer. Patterson’s art deco magazine illustrations helped promote the idea of the 1920s and 1930s fashion style known as the flapper. As his career blossomed, his ubiquitous version of the modern Jazz Age woman graced the covers and interior pages of The Saturday Evening Post, Vogue, Vanity Fair, Cosmopolitan, Redbook and& Photoplay, among many other magazines. As celebrated at that time as the “Gibson Girl” had been years before, his “Patterson Girl” was, in the words of Armando Mendez, “simultaneously brazen and innocent.”  Martha H. Kennedy cites Patterson’s dependence on the “graphic power of elegant, outlined forms, linear patterns of clothing and trailing smoke to compose strongly decorative, eye-catching designs.” Women of the time turned to Patterson’s work to follow trends in clothing, jewelry and cosmetics.

this forever

nevver:

HotWheels

sweet wheels!

(Source: , via berrytwee)

allcreatures:

(ODD ANDERSEN, AFP/Getty Images / November 1, 2011) (via Baby animal pictures - chicagotribune.com)

o haaaaaii